It is utterly insane how electric Jetcity Records can make a twenty-two track project sound. With their long-awaited debut, “Welcome To Jet City”, this high-flying Hip-Hop collective takes compilation albums to new, modern-trap heights.
Peep the sweet video interview with JetCity Records:
Almost every track on “Welcome To Jet City” is a profound posse cut. Loco 2k, Nucky JMC, Rup Monsta, Skyler, Big Ox, Aye Michelle, and Ag Souljah are the prominent pyromaniacs of the album; blazing through hooks and verses with lyricism and inflections that keep the energy at an all time high. What is likewise captivating about “Welcome To Jet City” is that it is not a constant stream of original content. Rocking the ride, every now and then, is the turbulence of mainstream remixes. “Thotiana” by Blueface; “Lil Bebe” by Danileigh; “Middle Child” by J Cole; “Going Bad” by Meek Mill and Drake; each one of these records are terrifically remixed by the talents on this album, steering it into clouds of spontaneous exhilaration. Certainly, “Welcome To Jet City” may intimidate you with the length of its tracklist. However, once play is pressed, and the debut opus truly takes off, you will not regret a single song. With such an invigorating list of bangers, this soaring collective simply cannot be shot down.
The definition of an underdog expected to lose. Where the F.O.M.G Entertainment (Forever On My Grind) artist, NBJay is from, young black men are expected to be either dead or in jail by 19. However, instead of being a statistic this under dog is thinking beyond the trap, and uses his talent to propel him into rap stardom! On-the-verge artist, NBJay's new EP "Under Dog" is 5-tracks packed with money motivated hustlers anthems and trap gems! Stream the full project today on Apple Music.
Welcome to Swaggagascar, where there are miles and miles of lyrical peaks, trippy valleys, and sonically crafted trap landscapes. With new explosive mixtape "Swaggagascar" the New Mexico rapper, Heetroc, has discovered a hidden dimension of dopeness! The 21-track project is hand grenade of newage hip-hop with playful effects, richly developed space-age autotune vocals, and slapping beats produced by Heetroc himself. Enjoy the new full project "Swaggagascar" and read more about Hefe Heetroc in the bio below.
Justin Bacik, better known as Hefe Heetroc (stylized as HEFE HƏƏTROC) and formerly known as Wez Nilez, is an American rapper from New Mexico. His musical style has been described as a fusion of hip-hop, glitch-hop, and vaporwave, amongst other styles. He grew up in Rochester, NY, moving to California and then Albuquerque, New Mexico. His musical pursuits began by studying guitar at age 19, and at age 27, he shifted his focus towards hip-hop. He has collaborated with fellow emcee Loose Logic, his music has been featured on numerous blogs such as Thisis50, and his single ‘Space Energy’ has been aired on WRIU FM by Dj Padrino.
Listen closely to the lyrics of Papalee, and you will feel as if he is narrating your life. That is how relatable his slick rhymes, over arcade-esque melodies, and easy delivery, over throbbing 808s comes off. To say the least, this Philadelphia artist is stylistically tasteful whilst remaining tranquilly visceral; qualities that make “Just A Matter Of Time” the album-of-the-summer contender that it is. For, it is undeniable that this album is teeming with hits. Every record within the scope of this ten track release— which sees features from Datslucy, ROLLO, SZN, Jacquie Joshua, Hooligan the Demigod, and Har— is radiating with starpower. They highlight not only Papalee’s versatility; but, likewise, the rapper’s ability to create surefire bangers in any form he pleases. From the heart-rending, melancholic ballad of an intro, “Stuck In My Ways”, to the party-ready thumpers “Know The Game”, “The Woahh”, and “Come From”; as well as the trap romance of “Queen” and “On Ur Mind”; each song brings a fresher and more exhilarating sound than the last to the overall body of work. All the while giving us a glimpse into a young man’s life, unfolding night by night, in The City of Brotherly Love. While the instrumentals of this extended-play will make it unfathomably trendy; the lyrics of Papalee himself will set it far apart from its contemporaries. This artist does not make music for the sake of making music. He views the microphone as a tool for bearing his soul; and it is “Just A Matter Of Time” before that artistry is spread across the globe. Press play, and watch the glow of Philadelphia’s new hope.
The Houston, TX underground rap crew known as The Band of the Hawk Underground Pyramid (#BOHUP) comes through with their full-length LP titled Kangol, that was produced by Noah Archangel. Featuring 13 tracks, the guys of #BOHUP bring their A-game, delivering meaningful bars over dope lo-fi boom bap production. Highlights on the album include the light and airy, electric guitar-infused “Spirit Bomb” and the cool, calm and collective “Funny Bunny” that urges folks not to speak unless it’s about the money. The crew even takes it back to the days of skits in Hip-Hop with a witty one of their own titled “Phite Weoples.” Another track mentioning is the super smooth “Golden Child” where each member of the track gets a chance to tap into a more braggy flow that adds more dimension and versatility to the album. Along with Kangol on streaming services, #BOHUP also released exclusive CD's and limited vinyl that can be found on bandofthehawk.com. Check out Kangol and be on the lookout for upcoming videos on for the tracks “Bedrock,” “Spirit Bomb,” and “19 Mentality featuring AG Da Coroner.”
Baton Rouge, Louisiana rap artist Young Bleed returns with his latest album titled Wut' Uh' Life, via Trap Door Entertainment. The album serves as the eighth studio release since his 1998 breakout debut, My Balls and My Word, on No Limit Records. The title track kicks things off in the right direction as Bleed’s signature laid-back flow pairs well with the booming production, letting long-time fans and newcomers know that he’s still standing strong. Playing with different styles throughout Wut’ Uh’ Life, the seasoned emcee doesn’t hesitate to deliver rapid-fire bars on tracks like “Wet” but also knows when to slow it down like on “Say Dat’ Den” and “Luv Luv Luv.” On the dope posse cut “Hard Work Pays Off,” Bleed isn’t afraid to share the mic with a slew of artists such as Rush 1K, Tha Homie Jai, Chucky Workclothes, Skye Pachino, and Omega Legacy. Other featured guests on the album include Ty’gee Ramon, Big Tray Deee, Celly Cel, Kingpin Skinny Pimp, Pastor Troy, Mers, and Marcus Kelly. Tracks worth mentioning goes to the introspective, bass-heavy “Soul Of Uh’ Mane” and the soulful, nostalgic “Wut’ Uh’ Life (Da Prequel).” Definitely worth checking out, stream Young Bleed’s Wut’ Uh’ Life on Spotify today.
Detroit native Godspeed2 presents his debut EP titled, Dues, featuring six exclusive tracks that officially introduces him to the world as an influential emcee. For the album, the rap artist, poet and published author channels the energy of some of his favorite artist as a way of paying homage to them. Throughout Dues, he addresses an array of critical topics such as inner-city violence, intra-cultural struggle, bigotry, hypocrisy, politics, dancing, partying, sex, and love. The interesting thing about the EP is how Godspeed2 opens up a dialogue about issues plaguing the world without dismissing or condemning them, a tough feat for an emcee fresh out the gate. Highlights on the album include the jazzy, conscious opener “In The D,” and the bouncy, introspective “The Night.” A track worth mentioning is the subtly explicit “Vibrations” where GodSpeed2 goes in-depth about an intimate encounter over production that has a big feel and even bigger hook delivered by featured guest, The Remedy. To support Godspeed2's latest album effort, stream Dues on all digital platforms and be on the lookout for his upcoming follow-up project, Afraid of the Dark, coming soon.
Port Arthur, Texas rap artist Alonzo Cartier releases his latest album, “Le$$ talk, More Smoke 2”, via the Not Normal Inc. imprint. On the 10-track project, Alonzo picks up where he left off from the 2018 Le$$ talk, More Smoke album, and hits us with more bars, more sauce, and of course, more smoke. Throughout Le$$ talk, his flow switches from rugged to melodic over production that fits each style. Tracks that can’t help but to stand out are the energetic real talk on 1st single “Figure Me Out and the super-smooth “Late Nights & Early Mornings” where Alonzo reflects on his ambitions as an artist and invites others with the same goals to join him. Another highlight on the album is the bass-heavy, bouncy “Precious Cargo” that reworks Jaheim’s R&B hit “Put That Woman First.” Also, worth mentioning is the soulful “Aunties” where Alonzo recalls bittersweet moments in his past while displaying a more serious side of his artistry. Aside from him holding down the fort on the majority of Le$$ talk, special featured guests include GP 4/5 a.k.a Hollywood, Cooli Blaze, Adonis Edmond, D-Notez, and Kuntriboidolla, who all slide through to add to the album's vibe. Definitely worth the stream time, check out Alonzo Cartier’sLe$$ talk, More Smoke 2 today.
Hiphop is alive and well! As evidence Mada Atoms delivers the perfect blend of newage and conscious hiphop with new album "Distractions". The freestyle battle veteran shares intimate pieces of his life with 10-tracks of head knocking bangers that give good classic hiphop vibes. Listen as the rising LA mc, Mada, raps his heart out with alot a dope heartfelt joints. Stream "Distractions" today and follow Mada Atoms' growing movement below.
It is no wonder why Nashville is known as “Music City”. Being the stomping grounds of the legendary Johnny Cash, abode of country music, and nexus for nightly, sonic stimulation; this capital of Tennessee has most definitely earned its epithet. Naturally, one would assume the residents of those tuneful, Volunteer streets equally live up to its legacy; and you would be right. Especially when it comes to QUAI. Of all of the Nashville artists out there, this titan seems most ambitious in representing the “Music City”. The tracklist alone, of his 2019 drop, “Regime”, makes that easily seen. It is twenty tracks in length, cut with bangers galore. With this project, QUAI is throwing a forty-minute trap party to which we are all invited; complete with monstrous anthems and 808-driven smashes, alike. The dividing line between “Regime”, and every other modern-trap project out there, however, is how uniquely its creator uses melody and rhyme. On his biggest records within the long-player, QUAI barely uses melody as a driving force for the song. Instead, he croons in the background; centering our focus on the lyrics he’s spitting, and the versatile flows they’re delivered through. This style assigns an especial sound to QUAI; and that specialty flows through every one of “Regime”’s veins. Without a doubt, in crafting this comprehensive body of work, QUAI has done Nashville’s legacy proud; and made himself heir to the “Music City” crown.
Six tracks is all it took for Mute Davinci to set fire to 2019. With his latest EP, “Breaking News”, the Tennessee rapper transforms slow-burning grooves into anthemic trap jams. Flaunting an immaculate command of melody, autotune, and songwriting, Mute will wholly ignite your mood for the summer. Cuts such as “Nobody”, “Be Around” (feat. Sire), and “RIP Jumpout” will put you in an ethereal trap trance; glinted by thumping 808s, amorous drums, and mild melodies. Do not get us wrong: there are a couple tracks on “Breaking News” that are completely capable of rocking your next house party. However, the overall energy cultivated by this Chattanooga native on this six-track debut is gentle and sublime. He is one of those few artists in our tide of modern music who has found the model matrimony between Hip-Hop and R&B. With it, he’s devoted himself to delivering us banger, after banger, after banger. Undeniably, Mute Davinci is “Breaking News”. Start one listen, and you won’t be changing channels any time soon.
With their first three projects, “Koinda Vol. 1”, “Koinda Vol. 2”, and “Koinda Vol. 2.5” (Producers Only Album), the Koindanomics collective succeeded in bringing their worldly agenda new light. They focused greatly on showcasing talents from around the world; cultivating international bodies of work that spread their message of global growth, community, and love. Now, after all of that amazing externality, Koinda Records are changing directions; dedicating their latest installment, “Koinda Vol. 3”, to the power of self. Presented as a “meditation album”, this eight-track opus is devoted entirely to spiritual betterment and growth. For its four zen-ful, mind-calming instrumentals, the collective tapped A-Rell and See See Beats. For the three “guided meditations”, Ace Burns is our tranquil host. Albeit, only three notable parties are spotlighted on this project, the strength of Koinda Records, as a whole, is still awesomely felt. Their agenda to impact, enlighten and heal the world around them illuminates even brighter with “Koinda Vol. 3”; further proving the magnitude of this collective’s potential.
