Showing posts with label texas hiphop. Show all posts
Showing posts with label texas hiphop. Show all posts


Catch a vibe! Fall into the infectious groove of Luclover's new hit song "Her Loss ft. Dmxn". This modern trap banger features a trippy dream-like feel, a deep boomin' baseline, and melodic hiphop harmonies crafted by Luclover and Dmxn. Read more about the artist and enjoy the new single "Her Loss" today.

Luclover is a 14-year-old rapper and musician based in Houston, TX, his family is originally from Morocco. Music wasn’t Luclover’s first passion, basketball was. He first picked up a ball at the age of 4, and his parents helped him to develop his skills and excel to an advanced level by taking him to practice, personal training and playing with him in the backyard. In January of 2019, Luclover found that his drive to play basketball was gone and that he wanted to take a different path and create music. His parents fully supported this switch and helped him set up a home studio, where Luclover still records. His first single "999" has almost 70,000 views on Soundcloud. His current single "Her Loss ft. Dmxn" just dropped at the end of August. You can listen to his work on Soundcloud, or follow him on Instagram for updates on new releases.



"Her Loss" on Spotify




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“Putting People On Game” is the only podcast wherein Chief Keef playing the piano, Dallas club culture, durags, Weezer and unisex barbershops can combine to form one, seamless conversation. That is because its hosts, Young Thirsty and Serious J Walker, are naturally, tremendous talkers. Their episodes typically span between two to three hours; and for this entire runtime, the Dallas natives will have a vice-grip on your attention. You will howl with laughter at their chronicles of everyday life, and listen keenly to their outtakes on music and pop culture. Every moment with these two (along with their panel of other, enthralling guests) will thoroughly entertain you; whilst feeling novel at the same time. There are zero dry-spots on “Putting People On Game”, and considering their runtime, this fact alone deserves immense praise. “Organic conversations that challenge mediocracy...” is the first sentence in their description; and as a synopsis it is perfect for what these talented podcasters have to offer. If you are a fan of shows such as “The Joe Budden Podcast”, “Bodega Boys”, and “Is The Mic Still On”, then you will absolutely enjoy “Putting People On Game”. It is two hours of endless entertainment by Dallas’s top conversationalists.


Putting People On Game on Apple Podcast



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A Southern classic for the modern-day— Cam & Chris’s “I Love My Slab” brings every bit of speaker-knocking intensity that you’d expect of a Longhorn anthem. The record is held together tightly by a syrupy soul sample. One that the series of 808s and trap drums behind it, serve well in elevating to a new level of Houston music. Heavily, the legacy of DJ Skrew is felt throughout the record; expressed the greatest in “I Love My Slab”’s pitched-down vocals. Cam’s trilled out, freestyled verses roll smoothly through this banger; signaling the ten-year stretch of this Texan honing his craft, finally paying off. For, he is churning out hits that his entire city and state can get behind. “I Love My Slab” swangs like the doors of the big-bodies it is devoted to; and treads just as nicely through your speakers of choice. With such a boisterous single, following the impressive debut of “I Done Came Down”, and a reported track on the way featuring YG; Cam has an undeniably impactful 2019 awaiting him. Press play, and get in tune with the next hitmaker of Houston, through the ethereal “I Love My Slab”.



“I Love My Slab” on Spotify 




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The Houston, TX underground rap crew known as The Band of the Hawk Underground Pyramid (#BOHUP) comes through with their full-length LP titled Kangol, that was produced by Noah Archangel. Featuring 13 tracks, the guys of #BOHUP bring their A-game, delivering meaningful bars over dope lo-fi boom bap production. Highlights on the album include the light and airy, electric guitar-infused “Spirit Bomb” and the cool, calm and collective “Funny Bunny” that urges folks not to speak unless it’s about the money. The crew even takes it back to the days of skits in Hip-Hop with a witty one of their own titled “Phite Weoples.” Another track mentioning is the super smooth “Golden Child” where each member of the track gets a chance to tap into a more braggy flow that adds more dimension and versatility to the album. Along with Kangol on streaming services, #BOHUP also released exclusive CD's and limited vinyl that can be found on bandofthehawk.com. Check out Kangol and be on the lookout for upcoming videos on for the tracks “Bedrock,” “Spirit Bomb,” and “19 Mentality featuring AG Da Coroner.”


“Kangol” 


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A tight beat is an essential ingredient in making a hit song. Before a rapper even hears it, the track should tell a story all of its own. This is why rising beatmaker BP on tha Track puts 100% heart into every beat on bponthatrack.beatstars.com. 

 You will hear a wide  range of music from flexin 'n finessin' trap anthem, silky smooth R&B grooves, mellow new-age vibe music, to high powered club bangers! Time will only tell what the future holds for this on-the-verge producer, whether it is offering her voice to  upcoming songs or guiding rappers to greatness with targeted mixtape series. Peep the video interview below and check the new beats today.





Stream or Download New Beats!

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Port Arthur, Texas rap artist Alonzo Cartier releases his latest album, “Le$$ talk, More Smoke 2”, via the Not Normal Inc. imprint. On the 10-track project, Alonzo picks up where he left off from the 2018 Le$$ talk, More Smoke album, and hits us with more bars, more sauce, and of course, more smoke. Throughout Le$$ talk, his flow switches from rugged to melodic over production that fits each style. Tracks that can’t help but to stand out are the energetic real talk on 1st single “Figure Me Out and the super-smooth “Late Nights & Early Mornings” where Alonzo reflects on his ambitions as an artist and invites others with the same goals to join him. Another highlight on the album is the bass-heavy, bouncy “Precious Cargo” that reworks Jaheim’s R&B hit “Put That Woman First.” Also, worth mentioning is the soulful “Aunties” where Alonzo recalls bittersweet moments in his past while displaying a more serious side of his artistry. Aside from him holding down the fort on the majority of Le$$ talk, special featured guests include GP 4/5 a.k.a Hollywood, Cooli Blaze, Adonis Edmond, D-Notez, and Kuntriboidolla, who all slide through to add to the album's vibe. Definitely worth the stream time, check out Alonzo Cartier’sLe$$ talk, More Smoke 2 today. 




“Le$$ Talk, More Smoke” 
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“Figure Me Out” Video on Youtube 


Recent Video Interview 




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An earth-moving synth progression jump starts King Pablo’s “Zombieland”, foreshadowing an unimaginable banger to come. To fulfill that prophecy, the Denton artist hits the mic with a melodic torrent of bars; and after fifteen seconds, this Texan smash is mobile. What King Pablo wants us to know, most of all, with this three minute anthem, is that he is back from the dead. After a four year hiatus, The Lonestar emcee has to resurrected; and his first order of business is giving us a trunk-rattling taste of “Young Rebel”, his upcoming debut. To that end, “Zombieland” is flawless. It features the Southern artist spinning through synths, 808s, and lively trap drums, in a blur of melody and autotune. Both elements swing his rhymes into irresistible territory, making “Zombieland” a track you won’t be able to deny. Certainly, King Pablo has been gone for quite some time. However, with a track like this, he has thrust his palm from the grave, and gripped the Texas rap game.



“Zombieland” on Spotify 
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Just like that, it is here. After previously blessing us with their spectacular “Flux Capacitor” drop, Houston’s answer to The Wu-Tang Clan and early Pro Era, The Band of The Hawk, have finally released their “Kangol” project. Completely produced by original BOHUP member, Noah Archangel, and mostly upheld by Yeaux Majesty’s idiosyncratic rhymes, “Kangol” is this Texas collective’s 2019 endowment to the world of lo-fi, underground Hip-Hop. A world wherein they are slowly, but surely, becoming kings. The coronation occurs through a bevy of rap-heavy, boom-bap jams. Between sample-driven instrumentals, skits, and the lyrical ventures of featured BOHUP artists, Yeaux Majesty and Noah Archangel string together an impressively cohesive offering. Bangers, such as “Downtown Friday Nights”, “Bedrock”, “‘19 Mentality”, “Golden Child”, and “All U Need” flow seamlessly down this river of Golden Age musicality. If not for the apparent tracklist, “Kangol” could very much be presented as one, elongated piece of music; and that quality alone makes it superior to every other project released alongside it. In the space and history of lyrical, archaic, underground Hip-Hop, this project could very well become a classic. And The Band of The Hawk, the South’s answer to the legendary, old-school rap crews we hardly go a day without giving praise.




“Kangol” 


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 Pain. Everyone has had that nasty breakup that sends them over the edge or losing someone you love to death. RnB/Pop singer, Bhadgalrhe knows that feeling all to well and is singing her heart out on new song "The way You Left Me". The scene is shot while the Houston artist is prepping for a big performance. Read more about Bhadgalrhe in her bio and follow her below.

“Just a little bit about me, well I was that small child who loved music who still loves music. I would sing and sing and sing with a hair brush in hand into the mirror as if I was putting on a show in front of millions of people. Even though I struggle with anxiety I am pushing through it to share my complete self and art with you all. I want to do this for the rest of my life forever. I was in a really bad accident in October 2018 where I looked death in the eyes and he left me here. I AM HERE FOR A REASON. A PURPOSE. I am willing to do whatever it takes to accomplish my goal, my dream. Music is my passion. I live, eat, sleep and breathe it. Bhadgalrhe here, nice to meet ya.

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Real Gutta Music is Texas’s “Park Side Villain” on his latest LP. Hosted by DJ Precyse, “Park Side Villain Homecoming” is a fifteen track embodiment of The Lonestar State. Top to bottom, minute to minute, this album is bustling with Dirty South sounds; aggrandized by Real Gutta Music’s unyielding, Texan delivery. The opener, “Sic Em” forwards an archaic, Southern bounce, complete with sinister melodies and trunk-rattling drums. The same can be said for “Death Before Dishonor”, “Just Do It”, and “Pedal To The Metal”; all tracks powerful enough to blast you back to the glory days of Southern Hip-Hop. That is not as far as “Park Side Villain Homecoming” goes, however. The Waco rapper makes certain to tap into all dimensions of the Texas sound. “Keep It Player” is a double cup-ready, smoldering cut, empowered by 808s, a soulful chorus, and milky instrumental. Speaking of soulful, the penultimate record, “Soulful” is a golden, sample-heavy boom-bap smash; whilst the last track, “Cross Roads” brings a similar, soul-sampled energy to a modern-trap beat. While nodding towards various aspects of Texas music with these records, Real Gutta Music does each and everyone of them justice through his performance. He never misses a beat on “Park Side Villain Homecoming”; proving with every second of the forty-six minute opus, that so long as he is rapping, the Texas sound will thrive.


“Park Side Villian Homecoming”
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Houston’s The Band of The Hawk is on an unstoppable roll. Last year, one of its members — Noah Archangel — released the instrumentally impeccable, “The Machine Wars: Levitikush”. Albeit, the project was seething with outstanding production, one of the most captivating beats was “Ghost In The Machine”. Today, for an in-house celebration of Valentines Day, another member of the clique — Woah Vada — is laying some romantic rhymes to that instrumental, thus offering “Ghost In The Machine (Remix)”. Vada brings a laid-back, Texan swagger to the electronic soundscape of the track. Throughout the entire three-minute and thirty second run-time, there is not a single moment wherein this Southern emcee is in conflict with the bubbly beat. His lyrics jog smoothly across the mix, seasoned by melodies and vibratos he casually slips into his inflection. It does not take a long listen to “Ghost In The Machine (Remix)” to realize that Woah Vada, as well as his The Band of The Hawk team, is onto something special. They are not chained to the typical, Texas sound; and that freedom has them pushing towards new, creative plateaus. Considering “Ghost In The Machine (Remix)”?; it is no argument that they are on the right track. A new wave is preparing to hit the Lonestar state; and The Band of The Hawk is at its helm.




“Ghosts in the Machine Remix” 




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Dripping in radio-ready melody, sprinkled with autotune and a Zone 6 inflection, is “Candy Lady”, the latest single from Atlanta, Georgia’s Leiffy Luciano. Over a sweetly dreamy trap production by Mondo, our DeKalb County resident proffers melodies and metaphors geared towards candy, and every woman who’s flavored just like it. Not a bar is wasted on “Candy Lady”. Leiffy Luciano cleverly ties each one to our favorite, convenient store snacks. He powers through an 808-driven, club-craving chorus with an infectious appreciation for his “Candy Lady”. This two-minute and thirty-second track is as catchy as it is creative. Not only does it feature an addictive bounce, topped by sugary, autotuned highs; but it maintains a fun, unorthodox theme for the duration of its play. If you were a fan of D4L’s king-sized hit, “Laffy Taffy”; then you’ll have a sweettooth for Leiffy Luciano’s “Candy Lady”. One that pressing play is certain to satisfy.


“Candy Lady” 


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