When Ashlee Ray published her first book, Manifest 22, she gave readers a 22-day framework for turning desire into reality. It was a roadmap built from her own experience — a woman who had climbed from foster care in Little Rock, Arkansas to the top of the media industry, then watched everything she built come apart, and found her way back through intention, ritual, and a faith in the alignment of things most people cannot see.

That book changed lives. It also left something unsaid.

The Manifest 22 Transit Guidebook, releasing June 5 and available now for pre-order exclusively at mamiwataorganics.com, is the something unsaid.

This Is Not a Follow-Up. It’s a Reckoning.

The first book taught the system. This one lives inside it. The Transit Guidebook was written during one of the most disruptive astrological cycles of Ashlee’s life — the years Uranus moved through Taurus, dismantling the material foundations of her world. Ashlee did not write about this transit from the safety of the other side. She wrote it while her home dissolved, while her partnership ended, while her body broke down and rebuilt itself, while she carried roles she never trained for, while she fought to hold her family together.

She finished the book on April 25, 2026. The last day Uranus was in Taurus. The last day of the transit.

“I didn’t plan the date,” she says. “The sky did.”

What the Book Actually Does

The Manifest 22 Transit Guidebook does something most astrology books are afraid to do: it shows the whole chart. Not just the abundance placements, the lucky Jupiter transits, the favorable windows for manifestation. The whole thing. Including what the chart says about loss, about trauma, about the things that happened before you had language for them.

One of the teachings that has resonated most deeply with readers is Ashlee’s demonstration of how to find some of life’s heaviest experiences written into a natal chart. Widowhood. The loss of a child. Survival of sexual abuse. These are not things most astrology books teach. Ashlee teaches them because she believes the chart is only useful if it tells the truth — all of it — and because she teaches her own alongside everyone else’s. She shows you where her own survival is written in her chart. Not as spectacle, but as evidence that the map was always there, and that understanding it changes how you carry what happened.

“I’m not just showing people their ugly,” she says. “I’m showing mine too.”

A central thread of the book is safety — how the theme of safety, and its absence, has shaped Ashlee’s entire life, and how that theme shows up in her chart for anyone who knows how to read it. She uses her own placements to teach readers how to work with their energy instead of against it: how a second house Pisces Moon, for example, can dissolve into other people so completely that it loses itself, and how she learned detachment as a practice — how to love deeply without merging, how to stay porous without disappearing.

There is an entire chapter on Uranus in Taurus — the transit that ran from 2018 to 2026 and disrupted the material foundations of an entire generation. Home. Body. Money. Identity. Stability. For Ashlee, it arrived as a complete collapse: the loss of her city, her partnership, her career, her physical health, and eventually her sense of who she was supposed to be. There is a passage about not feeling at home in her own body, her own emotions, her own life — the specific disorientation of Uranus moving through the house of self-worth and physical form and not recognizing the woman in the mirror. Millions of people lived some version of this transit. The chapter gives it a name, a map, and a way through. It is the longest chapter in the book, and the one she fought hardest to get right.

There is a chapter on Human Design that most authors would not have had the courage to write. Ashlee is a 5/1 Manifesting Generator — the 5th line being what Human Design calls the Heretic, the one who is constantly projected onto. The good projections and the bad ones. The savior narrative and the villain one. The chapter is deeply personal and deeply instructive at the same time: it traces the specific pain of being seen as whatever people need you to be rather than who you actually are, and it teaches the 5/1’s core lesson — that neither the good projections nor the bad ones are real, and that none of them are yours to carry. For anyone who has ever felt like the version of them living in other people’s minds has nothing to do with who they actually are, this chapter lands like a release.

The book covers every major planetary transit — Saturn returns, Uranus disruptions, Neptune dissolutions, Pluto rebirths, Chiron wounds, the Nodes — and maps them onto the houses of real life: career, relationships, home, body, identity, spirituality, loss. It includes a full Transit Library with every planet and asteroid through every house. It teaches Western and Vedic astrology side by side. And it does all of this in plain language, with enough of Ashlee’s own life woven through it that you never have to wonder what any of it looks like in practice.

Memoir, Guide, and Workbook — All at Once

What makes the book singular is that it refuses to separate the teaching from the life. It is simultaneously three things: a memoir, a transit guide, and a workbook. All three are necessary. The memoir gives the teaching its weight. The guide gives the reader a framework they can actually use. The workbook gives them somewhere to put it.

Most astrology content tells you what might happen. This book teaches you how to respond — built on the understanding that awareness changes outcome, that you are not at the mercy of your transits but in relationship with them.

The Ecosystem It Connects To

The Transit Guidebook is the centerpiece of a larger system Ashlee has built at Mami Wata Organics. The ebook edition includes QR codes that link directly to Mami Wata’s Mirror — the free chart tool Ashlee built herself, and the place where the book stops being something you read and becomes something you use.

Most people trying to understand themselves through their chart end up assembling the picture piece by piece: one site for the natal chart, a second for the Human Design bodygraph, a third for astrocartography, a paid app for transits, a forum thread to decode what any of it actually means. Mami Wata’s Mirror collapses all of that into a single tool in a single place — a one-stop shop for Western astrology and Human Design, built for the person who wants the whole picture instead of six browser tabs.

Enter a birth date, time, and place, and the Mirror generates six kinds of readings: a **Western natal chart**, a **current transits** report showing exactly what the sky is doing to your chart right now, a **compatibility reading** for two charts side by side, a full **Human Design bodygraph** with type, profile, authority, and defined centers, an **astrocartography map** showing where on Earth your planetary lines fall, and **secondary progressions** for tracking how the chart evolves as you do. Every chart can be cast in whole sign or Placidus houses, so readers who were taught one system are not forced into the other.

What makes it teach rather than just calculate is that every placement is clickable. Tap a planet, a sign, a house, a gate, a channel — a definition opens on the spot, written in plain language rather than textbook jargon. The built-in Transit Library covers every planet and asteroid through every house, which means the same reference material the guidebook uses is sitting right there when a reader hits something they do not recognize. Nobody has to leave the page to find out what their Chiron in the 4th means. A **Print / Save as PDF** button turns any reading into a document to keep or bring to a session, and the built-in **Reading Journal** holds fifteen saved entries with your own notes attached — so a transit you tracked in March is still there in September when the same planet comes back around. That is the part most astrology apps miss entirely: the point is not the single reading, it is the pattern across readings.

The natal chart, the transits, the compatibility reading, the bodygraph, the Transit Library and the journal are free. No account fee, no trial timer.

**Full Access — $10 a month — opens the rest of the Mirror.** That includes the complete **Pantone Birth Chart Palette**: twelve of your core placements translated into twelve Pantone colors instead of the single color the free tier shows. It is the chart rendered as a color story rather than a wheel of symbols — something you can actually use for a brand, a wardrobe, an altar, a room, a ritual. Full Access also unlocks a **seated Oracle pull drawn from your own chart**, **numerology read directly from your birth data** rather than in a separate tool, **secondary progressions**, and the **full astrocartography breakdown** — every line, every city, explained rather than just plotted.

The piece members use most is the one that comes to them. Full Access includes **personalized transit alerts by email** — not a generic horoscope, but a notification when a major transit is hitting your chart specifically, timed to your own placements and your own time zone. It is the difference between reading about Saturn and knowing the week Saturn arrives at your door.

Readers who are not ready to subscribe still get taught. The free **Healthy Wealthy Witch** newsletter sends three emails a week: a **Sunday Reset** on the incoming energy of the week, a **Monday ritual** email, and the **Friday Venus Day** email — what is active in the sky and what to do about it, every week, at no cost.

“Everything I know, I learned by looking things up one at a time and putting it together myself,” Ashlee says. “I built the Mirror so nobody else has to do it the hard way.”

The hardcover edition — a beautiful collector’s piece for the readers who really get it — includes workbook pages designed to be written in and returned to across multiple transit cycles: eclipse trackers, Saturn fasting logs, manifestation maps, an electional astrology worksheet for choosing the right timing for launches and decisions, and daily and weekly energy flow logs.

Supporting it all is the Mami Wata Organics ritual product line: ritual candles, ritual bars crafted to align with specific intentions and transit energies, and a monthly ritual box subscription delivering seasonal products designed to support exactly the kind of inner work the book teaches.

“Everything I have built,” Ashlee says, “is a tool for the same thing. For the woman who can feel the sky talking and just needs someone to help her understand what it’s saying.”

Available Now

Manifest 22 Transit Guidebook is available for pre-order now in ebook and hardcover exclusively at mamiwataorganics.com. The official release date is June 5, 2026.

The ebook includes the full Transit Library with direct links and QR code integration. The hardcover is a limited collector’s edition with workbook pages, reference charts, and the complete ritual guide.

Mami Wata’s Mirror is free to use at mamiwataorganics.com, with Full Access — the complete 12-color Pantone palette, chart-based Oracle and numerology, progressions, full astrocartography, and personalized transit alerts — available at $10 a month.

For media inquiries: contact@mamiwataorganics.com
Instagram: @ashleeray | @mamiwata_organics
Website: mamiwataorganics.com

 

Discover how talented artists from around the world bring Brady Kent's lyrics to life.  

 Rory David and Stellar Luna 

Brush, Colorado, USA 

"Every set of Brady's lyrics gives me the chance to see a story from a completely different perspective.” 

Hi, I’m Rory. I write and compose songs in Brush, Colorado, USA, with my singing partner Stellar. 

I've had a passion for music since I was a small child, playing bass in a band called Coolslide at 14. Then I played lead guitar in a band called Neon Knights. After coming home from the military, I started writing and playing seriously in a variety of styles. 

My songs are based on real life, using my time in the navy for inspiration.  

Big thanks go to my Mum (Betty Rusch-Ruff) and my dear wife (Dea), who have encouraged me along the way. 

I first met up with Brady about two years ago. Using his lyrics, I have now recorded over 20 songs.  

Re interpretating Brady’s lyrics is very rewarding. Often looking at a subject from a different point of view. I have a house full of instruments and I like to experiment and be creative. 

Brady’s songs allow me to do this. 

My favourite Brady song is ‘Take a new guy out on date’. At 7.3 mins long, it gave an opportunity to ‘go for it’. Play it in your car, driving down the freeway! Today! 

I’m currently composing a song called ‘Blame Blues’, using 

Brady Kent lyrics 

Anny Bravo 

Nigeria | USA | United Kingdom 

"Music is more than melody—it's how I tell stories that people remember.” 

I’m Anny Bravo from Nigeria, although I spend a lot of time in the USA and the UK. I am a singer and songwriter with a passion for turning meaningful lyrics into songs, that leave a lasting impression. For me, music is more than melody, it’s my way of telling stories, expressing genuine emotion, and creating moments that people can relate to.  

My journey with Brady Kent began in December 2025 after he came across one of my on-line gigs and shared a set of lyrics with me. From our very first project to the 10th, I connected with the sincerity of his writing. His lyrics felt honest and purposeful, making it easy to step into each song and give it the emotion it deserved. 

Collaborating with Brady has been one of the most fulfilling creative partnerships I’ve ever had. Every song brings a different story, a fresh perspective, and an opportunity to create something meaningful together. The way he works, matches my professionalism in the best possible way. 

Among the songs we've created is, "A building in his name’. It holds a special place in my heart. The story resonates with me on a personal level, and recording it was both an honour and an unforgettable experience. It reminded me why I love what I do. 

At the heart of every project, my goal remains the same: to create music that speaks to people honestly, carries real emotion, and stays with them long after the final note fades. 

Penny Batt 

 

Texas, USA 

"I build music around emotion first. The lyrics tell me where they want to go.” 

I’m Penny Batt from Texas, USA. I grew up in a family where music was simply part of everyday life. My grandmother and grandfather were both great singers. I fell in love with the feeling that a great song can create. 

Today I am a singer, songwriter and vocal arranger. One of the things I enjoy most is adapting to whatever a song needs. I love stepping into the genre and style while staying true to the emotion of the story. 

Working with Brady Kent on 14 songs, has been one of the highlights of my musical journey. What started as a single collaboration quickly became an ongoing creative partnership built on trust, honesty and a shared passion for storytelling. Every song has its own personality and every project challenges me to approach the music from a fresh perspective. 

I always start with emotion, then melodies and arrangements, then the story. I build music around the feeling, not just the words. I let the lyrics tell me where they want to go. 

‘The burning stars are still glowing’, ‘Winter Blues Man’, ‘Guess I’m a tortured soul’, and ‘I Don’t see my children’, are the Brady Kent songs I’ve enjoyed producing the most.  

Brady is simply a pleasure to work with. He is open to ideas; encourages creativity and has real trust in the people he works with.  

Music is about telling honest stories, connecting with people and creating songs that stay with listeners long after the music fades. 

Ezzy Israel 

 

United Kingdom 

"Brady gives you direction—but also the freedom to leave your own signature on every song.” 

My name is Israel, professionally known by my stage name Ezzy. I am a passionate singer, songwriter, and music producer with over 13 years of experience in the music industry. I currently work in the UK. I have recorded 17 songs for Brady Kent. 

Music has been a part of my life from an early age. My journey began under the guidance of my grandmother, who introduced me to the beauty of music and helped shape the skills and passion that continue to define my career today. Those early lessons laid the foundation for my growth as both an artist and a producer. 

As a versatile vocalist, I enjoy performing across a wide range of genres, including R&B, Soul, Pop, Rock, Gospel, Country, Afrobeat, Hip-Hop, EDM, Blues, House, and many more.  

Whether I'm writing heartfelt lyrics, recording lead vocals, creating harmonies, or producing full tracks, I am committed to delivering authentic, high-quality music that connects with listeners. 

At 30 years old, I remain dedicated to continuous growth, creativity, and excellence in every project I take on. Beyond music, I am a Christian and a God-fearing man, and my faith serves as the foundation for my values, work ethic, and the way I approach both life and my career. 

For me, music is more than a profession, it's a calling. My goal is to create timeless songs that inspire, uplift, and leave a lasting impact on audiences around the world. 

Working with Brady has been very rewarding. Whilst he provides general direction he also allows to me to stamp my mark on the song and interpret his lyrics. There is always something fresh and new. I’m flattered to be one of his top tier Guest Musicians. 

My two favourite Brady Kent songs are ‘Do I need to figure it all out’ and more recently ‘Goes to work in a bikini’. The latter is a soul, hip hop song about Reggae music. 

I’m currently working on a song called Is anybody at my age still happy?

 

"Chosen One" brings together Kevin Gates' younger brothers, D$AVAGE and BWA Ron, for a record rooted in family, hustle and legacy. With BWA Ron behind the production and D$AVAGE delivering raw street testimony, the two combine their talents to show their own worth while building on the foundation already established before them. The record represents chemistry, ambition and the next chapter of the BWA family - not just carrying the name, but proving what the younger brothers bring to it.

Check out "Chosen One" out now on all platforms and make sure you follow D$AVAGE on social media for his latest releases.

Connect:

www.dsavagetv.net 

Instagram - @svglife100

 

Hip hop has grown into one of the world's most influential cultural forces, shaping far more than music. In Unbecoming: The Miseducation of a Poet, author Taquarius Ford explores how hip hop, media, education, religion, and culture influence identity, beliefs, and the way we see ourselves.

Rather than criticizing hip hop, Taquarius Ford examines its cultural impact and invites readers to ask an important question: How much of who we are was intentionally chosen, and how much was shaped by the world around us?

Through personal reflection, cultural commentary, and poetic storytelling, Taquarius Ford encourages readers to think critically about the messages they consume and the voices that have helped shape their lives.

"Culture is one of our greatest teachers," says Taquarius Ford. "The question isn't whether we're being influenced. The question is whether we're aware of what's influencing us."

As conversations continue across the hip hop community about authenticity, mental health, entrepreneurship, relationships, and cultural responsibility, Unbecoming offers a timely perspective on the power of culture to shape individuals and communities.

Unbecoming: The Miseducation of a Poet by Taquarius Ford is available now.

Amazon: https://www.amazon.com/dp/B0GXCGSGTN

Barnes & Noble: https://www.barnesandnoble.com/w/unbecoming-taquarius-ford/1149865577

About Taquarius Ford

Taquarius Ford is an author and poet whose work explores identity, culture, and personal growth. Through his writing, Taquarius Ford encourages readers to think independently, question inherited narratives, and pursue lives rooted in authenticity. 

Media Contact: Unbecoming@tuta.com

 

Emerging from the streets with a sharp ear for storytelling and a modern edge, Chazo continues to carve his lane with his latest music video release. 

Representing his Flow Music imprint, he blends raw authenticity with cinematic visuals that capture both his hustle and evolution as an artist. 

Known for his gritty delivery and polished sound, Chazo’s new visual brings his message to life—giving fans a deeper look into his mindset, lifestyle, and ambition. 

As his buzz grows across the East Coast, this release marks another step toward solidifying his presence in the hip-hop scene.

Chazo’s new hit single, “C.H.A.Z.O.”, recently reached #5 on the iTunes top 100 Canada hip hop charts.

Make sure you check out his new EP, "Lost Etiquette", out now on all platforms and follow Chazo on social media for his latest releases. 

Connect:

IG: @Chazofm

 

Underground hip-hop producer Bombdrop has officially announced the upcoming release of his highly anticipated instrumental album, "The Horn Section", scheduled to hit all major streaming platforms on July 2, 2026.

"The Horn Section" is a bold, genre-bending instrumental project that seamlessly fuses the gritty, hard-hitting energy of underground boom-bap with the rich texture of live horn compositions.

Listeners can expect a seamless blend of heavy basslines, live jazz improvisations, and rare, historic spoken-word interview snippets from jazz legends.

The result is a cinematic sonic experience that honors the roots of hip-hop sampling while pushing modern beat production into a sophisticated new territory.

"This project is about bringing that raw, unpolished underground energy together with the sophistication of live jazz instrumentation," says Bombdrop. "It's a tribute to the greats who laid the foundation, but flipped with a modern, gritty edge."

About Bombdrop:

Bombdrop is an independent hip-hop producer known for his signature boom-bap rhythms, soulful sample flipping, and atmospheric soundscapes. Based out of Fall River, MA, Bombdrop continues to carve out a unique lane in the underground music scene by bridging the gap between nostalgic golden era hip-hop and experimental modern production.

Bombdrop - The Horn Section
Tracklist
1. The wrong direction
2. My intuition
3.Horn improvisation
4. valid validation
5. Blue notation
6. Reincarnation
7. Dedication
8. Celebration
9. Jubilation

All tracks produced and arranged by Bombdrop.

Available Now: https://linktr.ee/bombdrop13

Follow on Instagram: https://www.instagram.com/bombdrop13/

 31144211684?profile=RESIZE_710x

Atlanta, GA 2026 JD Entertainment announces the return of the 29th Annual Old School and Blues Festival, a high energy cultural experience celebrating the timeless sounds that move generations. In 2026, the festival expands its reach globally through a partnership with PPV Live Events (Founder Dan Rush), giving audiences around the world access to the experience for the first time.

The 2026 festival will feature performances by The Zapp Band, Cherrelle, and Project Pat, along with additional artists to be announced. Known for bringing together legendary and rising talent, the festival continues to deliver a dynamic live music experience rooted in culture and community.

The event will take place in Huntsville, Alabama, delivering a full day of live performances, food, vendors, and community energy. The festival will maintain its signature bring your own experience format, allowing guests to bring lawn chairs, tents, grills, food, beverages, and full setups to create their own environment while enjoying the show. In addition, the festival will be streamed worldwide, with a hosted viewing experience at Backstage Atlanta in College Park, Georgia, where attendees can come together to watch the show live, enjoy music, food, and a shared festival atmosphere.

For nearly three decades, the festival has welcomed iconic artists including The Isley Brothers, Big Daddy Kane, Trina, Jon B., Cameo, Tank, King George, Levelle, and Kut Klose, among many others. Built on that legacy, the festival continues as a family driven cultural staple, now entering its next chapter under new generation leadership. “This is more than an event for me, it is legacy,” says Joe Jr. “I grew up watching my father build this from the ground up. Now I am carrying that vision forward and expanding it for a global audience.”

For those unable to attend in person, the festival will be available worldwide via livestream. Access can be secured at https://www.ppvliveevents.com/featured-events or https://www.jde.live/summer-festival-experience.

JD Entertainment is an Atlanta based event production company with a nearly 30-year history of producing live music experiences centered on legacy artists, Southern culture, and community connection.

For media, vendor, or general inquiries, contact info@jde.live.