Henrock debuts his first music video after signing with Cash Grab Entertainment

Henrey Favers, Henrock, is the new kid on the block residing from York, Pennsylvania. From performing on main stages all over the East Coast with acts like Lil’ Baby, Kevin Gates, Yo Gotti, and NBA Youngboy, just to name a few, he now brings musical visuals to your computer and phone screen. “Money on Me” is his first video released under his newly signed recording contract with Cash Grab Entertainment.  
The creative mind behind the “Money On Me” video is Kayso, who also resides from the 717 area. The graphic effects in the video are just a taste of what you will see in the future from both Kayso and Henrock.
Keep in touch with Henrock by following him on Instagram @CGE.Henrock and follow Cash Grab Entertainment on YouTube for all Behind the Scenes videos and Official Music Videos.


An earth-moving synth progression jump starts King Pablo’s “Zombieland”, foreshadowing an unimaginable banger to come. To fulfill that prophecy, the Denton artist hits the mic with a melodic torrent of bars; and after fifteen seconds, this Texan smash is mobile. What King Pablo wants us to know, most of all, with this three minute anthem, is that he is back from the dead. After a four year hiatus, The Lonestar emcee has to resurrected; and his first order of business is giving us a trunk-rattling taste of “Young Rebel”, his upcoming debut. To that end, “Zombieland” is flawless. It features the Southern artist spinning through synths, 808s, and lively trap drums, in a blur of melody and autotune. Both elements swing his rhymes into irresistible territory, making “Zombieland” a track you won’t be able to deny. Certainly, King Pablo has been gone for quite some time. However, with a track like this, he has thrust his palm from the grave, and gripped the Texas rap game.



“Zombieland” on Spotify 
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Out the gate, K.Ray proves he is leagues beyond his competition. He consolidates what could have been a brisk, three-song EP, into six minutes of seamless music; and uses the track to introduce an even larger body of work. Aberrant work that borders extra-terrestrial. That is “Life’s a mess”: thirty minutes of unconventional, yet gravitating rap from a Columbus, Georgia creative. On this nine track opus, it feels as though K.Ray is almost making a point of leaning away from Hip-Hop’s present direction. Yes, he raps, but the way he does so; the way he crafts his music is unlike anything you’ve heard thus far. Modern-trap production is dispersed into clouds of melody and liquid-like drums. Introspective rhymes abruptly ascend into autotuned harmonies and sampled chops. The album completely embodies its title. It is a mess that us listeners can’t even begin to clean. Yet, by the end of its runtime; by the end of this mind-opening body of work, you won’t want to, either way.



“Life's A Mess” on Soundcloud


Recent Interview w/ K.Ray



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R&B crooner “JNYR” transitions into 2019 with his new single “Surprises”.  Produced by Yuri Koller,  the Toronto native is direct and clear as his true intentions are non objective to say the least. Expect to see a whole lot from JNYR this year as he is working on his new project until then be sure to stream his most recent EP the “Transition” which is available on all digital streaming platforms. 
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Fun and energetic, pop artist and health enthusiast, Wolfy The Great delivers the official gym anthem of 2019 titled "Let Me Workout". The visuals, shot in Atlanta, spread good vibes through humor and allow Wolfy to show his chiseled body. With an electro beat drop that will have you moving, this jam is for sure to be a hit for the gym as well as the club! Read more about the artist below and watch the new video today!



Born Abdalla Al Hammadi, but currently known as his stage name, WOLFY THA BEAST, is an Emirati citizen from Dubai who has been rapping in English and Arabic for 9 years. Following a near fatal car crash, he grew up with a strong love for hip hop and rap, giving him the only avenue allowed to express his social and emotional experience.

He explains, “I was outraged by how the accident unfolded and was disappointed by how people -- some who were very close to me, reacted to it. I saw their true colors, but I also found mine and rap was the only way I was going to paint the portrait.”

While gaining some underground recognition and exposure in the UAE and other GCC countries as one of the oldest artists, supporters grew to like his style of hip hop and considered him one of the rappers to lay the foundations in the area.

WOLFY THA BEAST has been quoted as a very unique artist that produces his own beats and writes his own lyrics which has further gained him prominent recognition and respect in the industry

In 2015 Wolfy the Beast released “Shake It Baby", featuring Memphis, TN rap legend, 8 Ball. The music video was successful in the middle east because Wolfy was the first Dubai Rapper to make an international music video with a famous US artist.





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Grandé Zee is only 1 listen away from being your favorite trapper rapper. His vernacular on the impressive new trap banger "Other Shxt" is upper echelon, to say the least. In additional to his smooth deep Burke County Georgia drawl, cleverly delivered metaphors, ridiculous braggadocios bars... He carries himself with charisma of a young boss! Enjoy "Other Shxt" and follow Grandé Zee's growing movement today. 


"Other Shxt"

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Evil keys, an explosive trap beat, and endless, Georgian flow are all kevystaysnappin needs to serve us a dynamic anthem. For, that is what “Gucci” packs; and by all accounts, it is anthemic. Tailored perfectly for the entire culture of Southern Hip-Hop, “Gucci” is a sharpshooter of a single. Although hectic, with its pulsating 808s and pounding trap snares, kevy’s performance gives the record magnitude and direction. You will easily be magnetized by his almost never-ending bars; which sway through an ATLien inflection, and various, lyrical references to other Southern hotspots. There are even a few moments wherein his adlibs are pitched through a muddy, Texan, chopped-n-skrewed filter; only increasing his homage to the South. Such is why “Gucci” is a track that every state below the Mason-Dixon can embrace. Don’t be surprised if you hear this record banging from the trunk of the car beside you; or lighting up the southerly house party you just walked in. kevystaysnappin definitely has a hit.




“Gucci”


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Just like that, it is here. After previously blessing us with their spectacular “Flux Capacitor” drop, Houston’s answer to The Wu-Tang Clan and early Pro Era, The Band of The Hawk, have finally released their “Kangol” project. Completely produced by original BOHUP member, Noah Archangel, and mostly upheld by Yeaux Majesty’s idiosyncratic rhymes, “Kangol” is this Texas collective’s 2019 endowment to the world of lo-fi, underground Hip-Hop. A world wherein they are slowly, but surely, becoming kings. The coronation occurs through a bevy of rap-heavy, boom-bap jams. Between sample-driven instrumentals, skits, and the lyrical ventures of featured BOHUP artists, Yeaux Majesty and Noah Archangel string together an impressively cohesive offering. Bangers, such as “Downtown Friday Nights”, “Bedrock”, “‘19 Mentality”, “Golden Child”, and “All U Need” flow seamlessly down this river of Golden Age musicality. If not for the apparent tracklist, “Kangol” could very much be presented as one, elongated piece of music; and that quality alone makes it superior to every other project released alongside it. In the space and history of lyrical, archaic, underground Hip-Hop, this project could very well become a classic. And The Band of The Hawk, the South’s answer to the legendary, old-school rap crews we hardly go a day without giving praise.





“Kangol” 


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Inarguably, we have been blessed with a rich lineage of female, R&B talent. From the 90s/early 2000 smashes of the late, legend Aaliyah; to the eclectic slow jams of Janet Jackson, and celestial climb of Beyonce; every generation has had that songstress who completely captivates our hearts. Now, it seems the current generation will be blessed with their own. A Queen of Hearts, laying in the middle of the deck, just waiting to be shuffled to the top. That is Leanna Love; and if our words aren’t enough to convince you of her radiant potential, “Chillin” certainly will. Having flown from her nest in Chicago, to settle down in Arizona, this Midwestern songbird comes with her latest, modern-R&B bop, in aim to shake the game. A vibrant melody; contained by trap percussions and slamming 808s, creates a club-ready bed for “Chillin”. One on which Leanna’s mystical vocals can peacefully lay. The Chicago-born, Arizona-residing singer/songwriter utterly erupts across this record, writhing through harmonies and power vocals with peerless grace. A grace only comparable to the greats mentioned before; and that is precisely why “Chillin”, as well as any succeeding banger she plans to release, will soon have Leanna Love standing right beside them.



“Chillin” 
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This is precisely what we have been waiting for. Since Summer Walker’s fiery onset in 2018, ignited by her chart-topping “Girls Need Love” record; the lot of us have waited with bated breaths for someone to offer a rendition. Their own take on the smoldering smash. Now, we may finally have it; lifted from the lungs of the young, North Carolina crooner, Abryon. With an awe-striking command over melody and harmony, this Southern singer aims to remind us that “Girls Need Love Too”. A sultry music video, and autotune-driven remix, are his main means of doing so. As he passes between various scenes with two particular women, the Tarheel vocalist unhinges a bit more of his amorous soul. He confides in them his desire to be anything and everything they could ask for; ultimately giving us everything we could ask for in a Summer Walker remix: pleas full of passion that’ll feel everlasting. 





“Girls Need Love 2” on Youtube
 




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“Now mirror, mirror on the wall...” is quickly followed by “Now, whose the gangsta of them all?!”; and in the blink of an eye, there’s an answer. It is none other than Quinton Jamar, decked in black and designer, presenting “Mirror”. With a video that has catapulted to over 10,000 views on Youtube, shot by ZEROSCOPE, this January single is poised to make a splash. This Alabama cut, whilst boosting a speaker-knocking, Zaytoven-esque beat, reveals Quinton Jamar at the top of his game. He channels his Alexander City flow through a hardbody inflection to tell exactly why the man in the “Mirror” is precisely who he claims to be. Accounts of hustling, struggling, and eventually striving in those Southern streets are plentiful on this single. When combined, the outcome is a booming, Yellowhammer banger. Give it until the summertime. Without a doubt, the same Quinton Jamar standing before the “Mirror” in this eloquent video, will be known from Alexander City to California. Before the end of the year, the rest of the country will likewise lend an ear. 






“Mirror” on Youtube 





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Despite Ashton Rich’s recent EP, “Sober Enough”, being one of the most thunderous, modern-trap projects of the season, he makes it explicitly clear from the opus’s opener that he does not condone the new wave. “Pretend”, the track in question, is a flagrant dissection of the trendy, stereotypical personas rappers embody today; matchlessly kicking off six-tracks of identically astounding energy. For, Ashton Rich maintains that audacity throughout the entire fifteen minutes that “Sober Enough” runs. Briskly, it is translated into records such as “Problems”, and the ascending anthem “Lemma Know”, which is already soaring with plays. Merging Hip-Hop and R&B alone may be difficult for some. However, on this EP, Ashton Rich makes it an effortless accomplishment. Like a pendulum, he swings between both genres; and as the momentum builds, so does the strength of his records. In many aspects, that is the perfect simile for Ashton Rich, and “Sober Enough” entirely: a pendulum, whose swung has built up enough momentum to be a wrecking ball; ready to smash right through the rap game.





If New Jersey did not have a lyrical prince ready to ascend to their Hip-Hop throne before, they do now. He goes by the name of J-Carter; and with every stroke of his pen this year, the Garden State emcee has proven well-ready for the crown. J-Carter deserves much praise for his grind and indomitable work-ethic on his latest body of work as he gets loaded up to drop 38 new tracks for his new album, “Take Hip-Hop Back”.  The beauty of “Take Hip-Hop Back” is that it perfectly encapsulates two generations; two sounds of the New Jersey lifestyle. On one plane, it embodies the lyrical aggression, depth and bravado of the Redmans, Joe Buddens, and Treachs who built upon the foundation for East Coast Hip-Hop. On the other hand, it warmly embraces the sonics of today: boasting 808s, malicious, synth-based melodies, and jarring trap drums. This puts the nine-track opus on the ideal axis of a 2019 Hip-Hop album. It is, essentially, an onslaught of lyrical bangers; that in J-Carter’s own words, “...the people will have no choice but to hear...”. 



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“Take Hip-Hop Back” on May 3rd



Daniel Cronson and Kehinde have given us something undeniably magical. Whilst embracing the power of Blues, Hip-Hop, and Jazz that flows through their luminous city of Chicago, they have conjured the mighty “Grand Visions”. The track is three and a half minutes of smooth, summery blues; guided by heartfelt, northside vocals and piercing, southside rhymes. Daniel works much of Grand Visions’s foundation; driving it with a few lovable chords from his guitar, backing keys, ambiance, and a slow-burning drum loop. The essence of John Mayer seems to possess much of his performance, as he glides soulfully across this production with “Continuum”-esque immaculacy. However, as brilliant as this single is with Daniel Cronson alone, it would be imperfect without Kehinde’s breathtaking bars. Lyrically, he reincarnates Daniel’s breakdown of the trials one faces in pursuing their dreams, by giving his own, in-depth take on the topic. What results is a magnetizing, new record for Chicago’s summer. One that will have you ready to fire up the grill out back, as easily as it fires up your soul.




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