Showing posts with label banger. Show all posts
Showing posts with label banger. Show all posts


“All in my face, ‘cuz they wanna ride my wave!” When first starting up, Zero The Kidd’s “Wave” will mislead you. By its watery, ambient synth and tame, auto-tuned intro, you will be convinced that this single is yet another calm pool of modern-trap majesty. That is until the 808 punches the mix, and you are dragged into the current of a high-energy anthem. It is fitting that Zero’s home is Boynton Beach, Florida; for this track is an inescapable tsunami of sound. Washing freshly across your speakers, from the shores of the Sunshine State, “Wave” commands a radio-ready swagger not easily accomplished. Swimming through kicks, snares and hats, Zero The Kidd makes an impressive splash on the record; unleashing a stream of bars and melodies that will enliven anyone who hears them. So much so, that it is certain “Wave” will add another million plays to the ten million Zero has already acquired. If you are in need of a tidal banger for your upcoming, September playlist, look no further than Zero The Kidd’s amazing latest— “Wave”.


 Recent Interview
"WAVE" on Spotify





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A Southern classic for the modern-day— Cam & Chris’s “I Love My Slab” brings every bit of speaker-knocking intensity that you’d expect of a Longhorn anthem. The record is held together tightly by a syrupy soul sample. One that the series of 808s and trap drums behind it, serve well in elevating to a new level of Houston music. Heavily, the legacy of DJ Skrew is felt throughout the record; expressed the greatest in “I Love My Slab”’s pitched-down vocals. Cam’s trilled out, freestyled verses roll smoothly through this banger; signaling the ten-year stretch of this Texan honing his craft, finally paying off. For, he is churning out hits that his entire city and state can get behind. “I Love My Slab” swangs like the doors of the big-bodies it is devoted to; and treads just as nicely through your speakers of choice. With such a boisterous single, following the impressive debut of “I Done Came Down”, and a reported track on the way featuring YG; Cam has an undeniably impactful 2019 awaiting him. Press play, and get in tune with the next hitmaker of Houston, through the ethereal “I Love My Slab”.



“I Love My Slab” on Spotify 




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A-Dub Da Prodigy has trap music down to a science with the perfect blend of sauce, smooth melodies and boss-like charisma. His new-age  banger "Flex on Me" is an instant hit! Listen as he slides over a flute laced trap anthem about how his bad lil bih spoils him. His baby got him fresh like a tic-tac. The Arizona rising star in association with Arrogant Marketing is showcasing the best talent in the Southwest.

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There is always a diamond in the ruff. For Burnsville, Minnesota, the multifaceted collective, On Our Own, is precisely that jewel; and summer 2019 may be their defining, shining moment. At least as far as one of their member’s, OOOAndre, latest release can measure; for, “Switch Up” is a modern-trap gem worthy of an imminent crowning. Although the Midwestern crew are well-versed in both R&B and Hip-Hop, “Switch Up” leans ostensibly on their thunderous, trap potential. It is a quintessential banger of today’s sound; fueled by pummeling 808s, invigorating rhythm, and OOOAndre’s unique, yet befitting flow. Obviously, he is the man OOO can go to for a irresistible hit. The way this Gopher State talent maneuvers through the beat simply exudes effortlessness; making “Switch Up” likely a natural phenomenon for ‘Dre. If that is the case, there are tons of records just as potent as this club-ready anthem, hidden within the On Our Own archives, just waiting to be dropped. The moment they are, following the promised success of “Switch Up”, the diamond will no longer be in the ruff. It will be crowning princes as they become kings of the new-age, Hip-Hop scene.



“Switch Up” on Soundcloud
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“Will I ball ‘til the last day...” These initial bars surf the wave of a funky, serpentine bassline. Iridescent tines sparkle around a string progression that grows more intense as Miztah Brown raps. The moment these melodies reach their climax, and the Canadian spitter is ready to enter his verse, the beat drops, and “Last Day” is on the move. Fully powered by Miztah’s robotic, auto-tuned vocals, this single grooves from start to end. Contemporary drums, characterized by 808 snares, dribbling kicks, and pattering hi-hats, give the Montreal native rhythmic ground to lyrically run across. In this dash, Miztah Brown rhymes about everything: from haters, to hustling, and loving the life he lives. What he yearns to drive home, most of all, is that none of it will stop until his “Last Day”. For the last three years Miztah Brown has been on an incredible streak, and with the drop of this recent anthem, his stock will only rise higher. By the end of the year, a new star may be lighting up the Canadian sky. 




“Last Day” on Spotify
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Recent Video Interview with Miztah Brown




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Already pulling in a thousand views on Youtube, JADDA’s “03” is a New York banger awaiting. Albeit, it pulls from the trap sonics of the South, and drill-inspired sensibilities of the UK, it still carries that legendary, lyrical essence of the East Coast. The BKAY-produced record spotlights JADDA as an upcoming magnet for modern, Brooklyn rap. Through the pinging triangles, hellish melodies, and indomitable drums, the Empire State rapper unquestionably shows off. He batters the beat with no consideration for the heat he discharges, resulting in a fiery anthem that every burrow will ultimately embrace. For, “03” is that igniting. Alongside 22Gz, Casanova 2x, Young M.A., and other contemporary reflectors of Brooklyn rap, JADDA is yet another example of New York Hip-Hop’s evolution. Only his is positioned to create a tidal wave about the East Coast, and wash an energy onto the city that has never been felt before. 



Watch “03” today on Youtube
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Grandé Zee is only 1 listen away from being your favorite trapper rapper. His vernacular on the impressive new trap banger "Other Shxt" is upper echelon, to say the least. In additional to his smooth deep Burke County Georgia drawl, cleverly delivered metaphors, ridiculous braggadocios bars... He carries himself with charisma of a young boss! Enjoy "Other Shxt" and follow Grandé Zee's growing movement today. 


"Other Shxt"

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Evil keys, an explosive trap beat, and endless, Georgian flow are all kevystaysnappin needs to serve us a dynamic anthem. For, that is what “Gucci” packs; and by all accounts, it is anthemic. Tailored perfectly for the entire culture of Southern Hip-Hop, “Gucci” is a sharpshooter of a single. Although hectic, with its pulsating 808s and pounding trap snares, kevy’s performance gives the record magnitude and direction. You will easily be magnetized by his almost never-ending bars; which sway through an ATLien inflection, and various, lyrical references to other Southern hotspots. There are even a few moments wherein his adlibs are pitched through a muddy, Texan, chopped-n-skrewed filter; only increasing his homage to the South. Such is why “Gucci” is a track that every state below the Mason-Dixon can embrace. Don’t be surprised if you hear this record banging from the trunk of the car beside you; or lighting up the southerly house party you just walked in. kevystaysnappin definitely has a hit.



“Gucci”


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“Now mirror, mirror on the wall...” is quickly followed by “Now, whose the gangsta of them all?!”; and in the blink of an eye, there’s an answer. It is none other than Quinton Jamar, decked in black and designer, presenting “Mirror”. With a video that has catapulted to over 10,000 views on Youtube, shot by ZEROSCOPE, this January single is poised to make a splash. This Alabama cut, whilst boosting a speaker-knocking, Zaytoven-esque beat, reveals Quinton Jamar at the top of his game. He channels his Alexander City flow through a hardbody inflection to tell exactly why the man in the “Mirror” is precisely who he claims to be. Accounts of hustling, struggling, and eventually striving in those Southern streets are plentiful on this single. When combined, the outcome is a booming, Yellowhammer banger. Give it until the summertime. Without a doubt, the same Quinton Jamar standing before the “Mirror” in this eloquent video, will be known from Alexander City to California. Before the end of the year, the rest of the country will likewise lend an ear. 






“Mirror” on Youtube 





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“I can’t flex, Yeah I went and spent 100 on a whip!” What starts as a shiny haze of autotuned adlibs quickly becomes a single worth the charts. All due to a Columbus, Georgia rapper’s incredible command of both melody and bars. With “100 On A Whip”, Rico Tracks’s latest, bubbly offering, the Southern artist shows just how ready he is for mainstream success. Across foaming, bright synths, sparkling tines, and speaker-shaking trap percussions, Rico Tracks sing-song raps through a catchy chorus; undoubtedly prepared to seize your local nightclub. However, when that infectious hook is over, the Georgian up-and-comer proves he has even more to offer with two, hardbody verses. In powering through a poised flow and street-hardened delivery, Rico Tracks also ensures that “100 On A Whip” will be played on every block in Columbus. In this current, Hip-Hop climate, Rico Tracks’s latest smash is a model modern-trap release. It can easily be embraced by the industry, as well as the streets; and that versatility always leads to the hits we sing.




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After wowing us all a while back with their Woah Vada release, “Ghosts In The Machine [Remix]”, Texas’s The Band of the Hawk have returned with another stellar contribution. Gearing up for the unleash of their April 20th album, “Kangol”, the Southern collective offer “Flux Capacitor”: three minutes of abstract, boom-bap bars. The Band’s Noah Archangel and Yeaux Majesty trade a slew of idiosyncratic rhymes over a sampled beat produced by Noah himself. Their flawless handling of the microphone gives “Flux Capacitor” a very East Coast, Golden Era sensation; bolting both artists outside the realm of conventional, Southern Hip-Hop. With such a sparkling, soul-stirring instrumental and broth of eccentric, narrative lyrics, one can not help but feel the influence of MF DOOM, and other ancient, underground legends. Only, The Band of the Hawk prove with “Flux Capacitor” that they have the ability to take their art beyond their predecessors. They are creative; unafraid to challenge the modern sphere of The Lonestar sound, and pave a lane uniquely their own. This fearlessness makes The Band of the Hawk a token we should be vying to protect; and “Kangol” a masterpiece we must anticipate. 


“Flux Capacitor” 



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“I got the glow!” Despite the vibrant subject of Tef Kaluminoti’s March offering, it may be the most diabolical single of the Spring. His four-and-a-half minute “The Glow” is aggressive and abysmal; pumping with the unstoppable energy of North Carolina. As the first single to his upcoming EP, “AMEN”, this record makes a jaw-dropping declaration. It maneuvers jolting 808s, a rushing melody, and earth-shattering drums and world-splitting rhymes, all to warn that this Rocky Mount rapper should not be ignored. The only thing subtle about “The Glow” is the eerie buzz of an electric guitar that’ll tantalize your headphones about each verse. Otherwise, this track is insanely audacious; with Tef Kaluminoti, and his Juicy J-esque flow and persona, bringing it dangerously full-circle. Keep your ears open for “AMEN” when it drops. If “The Glow” is any indication, we are in for a sinister surprise.



“The Glow” on Youtube




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