Showing posts with label edm. Show all posts
Showing posts with label edm. Show all posts


“It’s been a while since I first saw you, something about that kiss...” For those of us who have had tremendous romantic encounters, these words from Chris Knite are a blast down memory lane. “Your pretty smile, girl, I can’t front it; Girl, I reminisce...” By the beam of his star-striking chorus, we are warped into complete recollection of that special someone; and reminded of the very moment each and everyone of us knew we were “Ready For Love”. 

Native and nigh-tropical percussions keep this enamored power at a constant throughout the record. Surely, the beat is flavored by an array of synths, rises, and basslines that assign it Pop perfection; however, these drums are powerful enough by their lonesome to lift your spirit. Lift it high into the atmosphere of this singer’s superb vocals. Through clouds of reverb and autotune, Chris Knite sings with the resplendence of his Sunshine State. As he serenades his unnamed love interest (in a fantastic mixture of English and Spanish), his voice flourishes with a lushness only Jacksonville, Florida could provide; making for an earth-shaking R&B hit. Love is in the air this summer and, thanks to Chris Knite’s latest, it’ll remain that way for the rest of 2019. Singlehandedly, he’ll have us all “Ready For Love”.

“Ready For Love” on Spotify




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Fun and energetic, pop artist and health enthusiast, Wolfy The Great delivers the official gym anthem of 2019 titled "Let Me Workout". The visuals, shot in Atlanta, spread good vibes through humor and allow Wolfy to show his chiseled body. With an electro beat drop that will have you moving, this jam is for sure to be a hit for the gym as well as the club! Read more about the artist below and watch the new video today!

Born Abdalla Al Hammadi, but currently known as his stage name, WOLFY THA BEAST, is an Emirati citizen from Dubai who has been rapping in English and Arabic for 9 years. Following a near fatal car crash, he grew up with a strong love for hip hop and rap, giving him the only avenue allowed to express his social and emotional experience.

He explains, “I was outraged by how the accident unfolded and was disappointed by how people -- some who were very close to me, reacted to it. I saw their true colors, but I also found mine and rap was the only way I was going to paint the portrait.”

While gaining some underground recognition and exposure in the UAE and other GCC countries as one of the oldest artists, supporters grew to like his style of hip hop and considered him one of the rappers to lay the foundations in the area.

WOLFY THA BEAST has been quoted as a very unique artist that produces his own beats and writes his own lyrics which has further gained him prominent recognition and respect in the industry

In 2015 Wolfy the Beast released “Shake It Baby", featuring Memphis, TN rap legend, 8 Ball. The music video was successful in the middle east because Wolfy was the first Dubai Rapper to make an international music video with a famous US artist.




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Despite Ashton Rich’s recent EP, “Sober Enough”, being one of the most thunderous, modern-trap projects of the season, he makes it explicitly clear from the opus’s opener that he does not condone the new wave. “Pretend”, the track in question, is a flagrant dissection of the trendy, stereotypical personas rappers embody today; matchlessly kicking off six-tracks of identically astounding energy. For, Ashton Rich maintains that audacity throughout the entire fifteen minutes that “Sober Enough” runs. Briskly, it is translated into records such as “Problems”, and the ascending anthem “Lemma Know”, which is already soaring with plays. Merging Hip-Hop and R&B alone may be difficult for some. However, on this EP, Ashton Rich makes it an effortless accomplishment. Like a pendulum, he swings between both genres; and as the momentum builds, so does the strength of his records. In many aspects, that is the perfect simile for Ashton Rich, and “Sober Enough” entirely: a pendulum, whose swung has built up enough momentum to be a wrecking ball; ready to smash right through the rap game.



Paired with a quirky, animated video, Georgia star, Milyssa Rose, drops the eccentric “Dick Pic” single. Undoubtedly, the most abstract piece of art you will hear all week, “Dick Pic” is a radical melting pot of sounds. An EDM melody, crushed by a diabolical 808, creates the backbone for the beat Milyssa Rose dominates. Her delivery is a blend of savagely energetic and soulfully wonderful; with certain bars extending into songful melody. There is likewise a colorful persona Milyssa Rose leaps into when on the mic, using her lyrics to paint a picture, and captivating inflection to pull us in. All in all, the track is a ground-breaking contribution to the Atlanta music scene. As incendiary as the track’s purpose may be, its fun-spirited energy is evidence of a Southern femcee breathing creativity and life back into the art of Hip-Hop.




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Welcome to a futuristic fantasy. From Russia with love, hiphop artist, Sly Wave, delivers a stellar new song titled "Fabled Past". You may get wrapped up in the wave of electronic, hiphop, and funk. However these vibes will ultimately make you wanna just dance and have a good time!  


"Fabled Past"

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The musical range of genre-bending duo, Nilla Spice, certainly shines through on their newest smash, “Power Up”. Consisting of personas Cad Hollyhood and Tru Tyte, the record is inspired by both Hip-Hop and Electronic music. Unquestionably, there is a trap groove in the track; highlighted by its use of rolling hihats, dribbling kicks, and flavorful 808 claps. The Electronic element is derived from the power in their synths, which blossom irrefutably with color. At fifty seconds there is an awesomely synth-tinged breakdown, where the colors of EDM are vibrant. Soon, however, the energetic rapping of Nilla Spice commences, and you are reintroduced to his diverse flow. From rapid-fire spitting, to powerful chants of the hook, Nilla Spice showcases an undeniable talent for rapping. One that, combined with the track’s production, makes for a wide-reaching banger. 



Whatever crowd Nilla Splice preforms their new single, “Hate On”, for is in for an exhilarating night. They will be possessed by the voluminous rapping; and spurred to rage at their hearts’ content. That is a testament to the power that this Tampa Bay record wields; not only through its magnificent, vocal energy, but likewise its brain-throttling instrumental. To say the least, “Hate On” is musically sophisticated. It is an edgy mesh of various genres; all fusing together to create this radical, unchartered sound. The bounce is undeniably Hip-Hop; yet, the mess of synths buzzing in the foreground are distinctively native to electronic music. Around 25 seconds into the record, a funky, analog bassline slips into the mix, and the entire atmosphere is shifted. The duo allows the joint to breathe during this section, yet eventually, he crashes back into the track; as riotous and rebellious as before. Nilla is enveloped by powerful, wailing guitars during the chorus, where he chants melodiously “Hate On”. It is the model climax to the record; and if ever performed for that aforementioned crowd, will send each person into a craze. It is records like these which carve their own space into the realm of Hip-Hop; and solidify the careers of genre-bending artists. Nilla Splice and his recent banger, “Hate On”, are at the forefront of that promise.


Recent Interview: http://tobtr.com/s/11090453


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Distorted, yet melodious electric guitar chords, flanked by ad-libs on one side, and cloudy, autotuned chants on the other, usher in Roc Kartel’s twisted love song, “Crazy Moniqua”. In four minutes and forty-five seconds, this Maryland emcee uses every fiber of his lyrical prowess to tell an unusual story. It is one of lust and betrayal; chronicling the escapades of a “Crazy Moniqua” as she travels the world, finessing every feeble man she encounters. In a brash way, Roc is empowering his female listeners with this record; crafting a powerful character they may idolize, over soft, rock-esque kicks and snares. Much of the movement on “Crazy Moniqua” lies within its melody and Roc’s eclectic vocalization. The guitar is insanely transformative; shifting in pitch, frequency, and volume with every new phase of the record. Our PG County talent isn’t too far behind this production, either. His delivery is equally engaging; rolling from calm, smooth bars, into these voluminous, melodic trills within the second verse. The DMV has been blossoming with new, exciting talent, as of late. With his unique “Crazy Moniqua”, Roc Kartel certainly earns his place in the pack.



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Dance music pumps like blood through the veins of Germany. From modern EDM, to the devilish rumbles of Berlin Techno, the Deutschland has always had a rich relationship with the electronic; and Dormagen’s own, Baby Brown, has zero intentions of betraying that. In fact, the European rapper opts to dive deeper into this four-to-floor essence with his latest club smash, “Upz n Downz”. Surging with danceable bars and thumping EDM essentials, “Upz n Downz” is a flawless display of Baby Brown’s loyalty to the electronic. A phasing, dark synth gives his grittily-delivered verses this beautiful, Berlin-esque energy. Yet, all of that is dispelled well by the chorus, which explodes into this vibrant, light-hearted storm of snare rolls and vocal chops. It is this climax that sets the tone of the entire track, giving it its speaker-rattling, nightclub appeal; and shows just how much Baby Brown’s music belongs on the dancefloor. No doubt, the moment this record is thrown into a mix, the crowd will be going through “Upz n Downz” all night long.


“Upz ´N´ Downz” [Download]



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There’s a pure, shining spirituality dwelling within Wisconsin singer/producer, Tanner Mitchell Zingsheim’s, recent cut, “V01D”. Under his alias, Spectrum Bender, the Colgate, devout Christian seeks to seal every last one of us in a vacuum of love; doing so through a marriage of poignant proclamation and prismatic production. The lustrous track kicks off with a buttery chord progression; satisfied solely by a recurring kick-drum, and Bender’s gentle croon. It is incredibly minimal in the totality of its glory, before converging into several evolutions of grandiose, pop production. Once upon the hook, “V01D” accelerates its aforementioned kick drum into a progressive, four-to-the-floor rhythm, backed by glittering, electronic percussions. Eventually, these elements transcend into instrumental interludes, where a trotting kick and 808 snare carry a surge of intricate key and synth breakdowns. Near the end of this productive gorgeousness, we are circled back to Bender’s chorus, where he once again breathes “Into the void we welcome love”. 

Verily, this Midwest talent puts God and Christ first; as there is a holy undertone to this entire creation. His attention, and furthermore, appreciation for detail results in a heavenly, pop opus only the heartless could reject. Even as “V01D” goes quiet, at the end of its two minute and twenty-seven seconds of excellence, that won’t be the end of your engagement with Bender. You’ll be dying to explore the rest of his magical catalogue. 

“V01D”[Download]
Checkout The Spectrum Bender Collection on Soundcloud here: 





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Beautiful, unique, distorted pop music is what Grand Fisher designs. With the latest opus, "Backyard Burgers and Best Friends" the Canadian artist continues to take every dance-floor by storm! The EP is electric with 5-tracks packed with techno grooves, pulsating dance jams, and deep dark raps from the mind of Grand Fisher. He says, "Even in death I still serve (but never again will I sleep with the fishes)." Enjoy the new project by downloading and follow the growing movement today.


"Backyard Burgers and Best Friends"



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With each and every passing year, Canada proves itself as a force to be reckoned with. It has birthed some of the most prolific and talented mainstream artists, whose crossover has dominated American airways. Singer/rapper, Grand Fisher, is no exception to this paradigm; and with his debut EP, “Real Friends”, he proves just how poised he is to take every dancefloor on the continent by storm. 

The production on this album is grandiose and electric; surging with techno-like basslines and vibrant, pop synths. Coupled with the groove of their pounding, syncopated percussion, even the slightest shuffle to these beats becomes eerily irresistible. Your hips will get away from you; and if you were not at a rave or nightclub already, this chromatic, EDM instrumentation will make you wish you had been. Instead of upstaging his production with brash, overbearing vocals, Fisher bounces beautifully between the foreground and background of the music. When the Ontario artist sings and harmonizes on tracks such as “Better As Friends”, “Boy Bye” and “Ghosted”, his voice, dripping with autotune, is pushed to the zenith of the mix; where it is most powerful and reviving. When he raps on those same tracks, his voice blends flawlessly into his production, and he himself becomes an extension of the very music he's flowing on. All in all, this project is a creative, club-ready debut; and if artists like Drake. Justin Bieber and The Weekend have opened the door for potential Canadian popstars, Grand Fisher will most certainly be stepping through.



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