Florida spitter, Yung Booz, opens single with the mention that “An OG once told me ‘Boy, you hot in these streets when you touch that microphone.’” Four minutes later, it’s crystal clear that the man wasn’t lying. Not one bit.



“All Or Nothing”, Booz’s latest, Stackz Up Michael-produced drop is a quintessential, Southern trap smash, featuring a chantable chorus, and booth-burning bars. On the record, our Sanford soldier details just how dedicated he is to prospering; telling each and every way he’s willing to get that almighty dollar. The hook comes overflowing with that infamous, addictive, and melodically-pleasing Southern deliverance we all know and love. It’s pure, and poised to excite any crowd he may perform for. When it comes to his verses, that very same crowd just might fly into a riot. Booz brings an infectious energy and aggression to his raps. You won’t simply listen to his lyrics. You will feel every syllable he shouts, because each and every last one of them clearly come from his spirit. His unyielding spirit, the very same spirit that keeps him devoted to succeeding, gives every word its own powerful punch. If he holds on to that spirit, pushing this record with everything he’s got, “All Or Nothing” will be flying up the charts.




“ALL OR NOTHING” 


Recent Interview





#follow
 




Soaring on a melodic cloud of vocalism and versatility, is New Jersey upcomer, Rich Ab. Representing Sicklerville specifically, the artist shows not only is he a force to be reckon with in the studio, but that he has also been gifted with the ability to create something for everybody, through his latest album, “E.W.R.”. 




 “E.W.R” comes ten tracks in length; and by the end of a single listen, there shouldn’t be an audience in the world he hasn’t captivated. In the short span of 35 minutes, Rich Ab dives from his cloud of bars and melody, into nearly every urban genre imaginable. If you fiend for trap smashes, his intro “5 Freestyle” and third track, “Too Much” will throttle your speakers and turn up any function you find yourself in. Nostalgic about the early 2000s? His record, “Body” comes with an undeniable East Coast bounce, that would’ve set any club in the country on fire. In the mood for the softer, more melodic takes of modern hip-hop? “Nights Like This”, “White Girl”, “Ghost”, “Alive” and “Dance With Me” are soaking in autotune and emotion; perfect for those smooth, nighttime rides through your area. He even freaks a dancehall record through the stellar track “On It”, and a remix of Young Thug’s “Killed Before”, through the ninth track, “No Love Left”. All in all, this album is undisputed proof that, in being blessed with such well-rounded range and versatility, Rich Ab has all the makings of a superstar. The moment mainstream radio gets a hold of any one of these records, he will be unstoppable.





Recent Interview
http://tobtr.com/s/10929017



#follow
 



Brimming with attitude and determination is Californian rapper, SUPADAMN’s most recent offering, “Can’t Miss”. The record clocks in at little over 3 minutes, joisting supreme swagger and confidence. Surrounded by a smoothly sinister, 808-bending trap beat, the Orange County native is poised and peerless. He seems fully in control of each and every bar that rolls from his lips. “Aiming for the top and can’t miss”, he utters in his chorus; not only letting us in on his intentions in the rap game, but likewise giving us a glimpse into his self-assurance. He speaks his goals into reality; asserting that nothing will blow his shot at greatness. And it is that exact attitude; that exact cockiness that makes superstars. Perfect for bumping in the whip; there’s no doubt radio will be hot on this single’s heels. Come beat them to it.




“PICK THE PARTY UP” 

https://open.spotify.com/album/3B505bd6hu821EMigQCnxR




#follow
 




Flowing like the myriad Georgia rivers, is 16-year old rapper, Blessed.Savage; and his recent release, “Frequently”, is soaked in undeniable swagger. It is two-and-a-half minutes of Zaytoven-esque production (completed by milky, gospel organs and vocal chants), layered underneath the raps of a kid fully coming into his own. Because, the track is not reflective of this artist’s age. On the contrary, it is a testament that if he’s dripping over beats like this now, he’ll be making tidal waves in adulthood. His delivery and flow, over this smooth series of snares, claps and 808s, is inexhaustible. He never seems to tire; in fact, he only gains more vigor as his verses lunge onward. By the second verse, our Riverdale representative was whirling with melodic inflection; spitting throughout the song about the impact that rapping has had on his recent years. If Blessed.Savage can push through the hatred, and continue dropping joints just like this, he’ll be “Frequently” seeing dollar signs.
Recent Interview:



#follow
 

The gunk and grime of 90’s East Coast will cake up on the edge of your speakers after only the first few seconds of rapper, P-Wize the Emcee’s, “Real Life”. Seasoned by almost-cathedral instrumentation, and sparkling, soul-sampled vocals, the gritty verse of out Asbury, New Jersey native splits the mix, announcing himself and that he has a “Story to tell.” Not long after that announcement, a series of snares snap through, before the roll of boom-bap drums and a muddy bassline immediately landslide the entire orchestration. And the emcee’s story beautifully commences. 
With a microphone stolen straight from the coffin of Golden Age Hip-Hop, P-Wize raps his heart onto his sleeve. It is not simply the sonics of the song that will blast you back to the 90s; but likewise, the messages within in the man’s lyrics. “You see the god inside of all of us—“ is just one of the myriad, knowledgable bars he unleashes, displaying that excellent Five-Percenter enlightenment so many others had, as well, in the previous century of rap. Armed with wordplay, lyricism and a filthy, yet passionate deliverance, P-Wize welcomes us all into his “Real Life”. If you love the spirit of 90’s Hip-Hop, its an event you won’t want to miss.


“REAL LIFE” Stream/Download: 


#follow
 




The disappearance of cliques such as Three Six Mafia, UGK, and 8Ball & MJG left unpredicted fissures in the rap game. Ever since that Southern domination of so many years ago, mainstream Hip-Hop has been missing something. Missing that raw, boondock bounce that had so many clubs rocking and Cadillac speakers knocking. Although, a return to form is indeed brewing in Memphis; none is as encapsulating as new-age rapper, Kreep. Through his new album, “Sorry, I’m Late”, loaded with 13 hot records, the Alabama native fills a void we should have never created, in the first place. Because, by the end of this opus, it’s crystal clear why that era of Southern Hip-Hop was one of its greatest: its rawness and honesty. There’s a preternatural darkness hugging many corners of the album, where flexing and bragging have no place; and only Kreep’s truth can illuminate. Laced by the most quintessential, country 808s; our Heart of the Dixie rapper will lyrically pull you into his real life. He bounces across tracks such as “Actin’ Up II”, “Fiya”, “Don’t Count Me Out”, “Emotions”, “Realest Illest”, “Bout Dat Life” and “Drell’s Tale” with a nostalgic, Three Six-esque cadence, fully disclosing the griminess of his environment and circumstances. 




Although, Kreep defines himself as a new-age artist; he does not conform to that paradigm. He shows in multiple moments of this project, that he would rather his audience have something honest and real, ripped straight from his own trials and tribulations, to relate to; instead of flaunt money or drugs like everyone else. Personal favorites on this album have to be, “My Girlfriend” and “Bout Dat Life”. The former for its irresistible, vintage sample, strong 808s and impeccable story; and the latter for its pure, late-90s aesthetic. If you are a fan of early, organic Southern Hip-Hop, this album is worth every second of your listen. The Heart of the Dixie is pumping once again; and Kreep is the one to thank. 



“SORRY, IM LATE” Stream/Download 





#follow
 



Compton rapper, Mondoe, leaves no one behind and nothing to be desired on his new album, “Now Eyez On Me”. From the seeds planted by NWA and Death Row, then watered by the Kendrick Lamar and his TDE outfit, Mondoe is growing his own tree of hometown glory. And from its fruit, he’s making sure everybody around him eats. For, “Now Eyes On Me” is loaded with guest features; all to which Mondoe perfectly plays host. He is the nucleus of every record, with each sonic and lyrical visitor orbiting smoothly around him. As the cover suggests, this album is a strong ode to his musical inspirations and forefathers; whose spirits fly vibrantly throughout each and every tune. The ghost of Tupac Shakur moves like a poltergeist through his intro-vocals on tracks such as “The City”, ft. A1krashin, and title track, “Now Eyez On Me”. Every other track, albeit seasoned with strong, trap instrumentation, hardly abandon his Californian pride. Whether by synth or bassline, each joint furthers the legacy of that West Coast G-Funk he knows so well. A duo of my favorite records from this album happen to be “Temptation” (ft. Yondo & Iman), and “Money Calling” (ft. Fred Nice). These tracks bolster powerful R&B inflections, and showcase a different aspect of the Los Angeles rapper. Where “Temptation” is slow-burning and risque; “Money Calling” holds an colorful, infallible, club-ready bounce. Through these alternate dimensions of his album, Mondoe displays the diverse influence of his town. “Now Eyez On Me” is his California celebration, full of powerful, radio-ready bangers; showing that the city of Compton will, sooner than later, have a heir to their musical throne.


“NOW EYEZ ON ME” Stream/Download: 



MONDO interview:
#follow